Glenn Hinson will give the keynote address, “Signifying Style: Ecologies of Social Critique in African American Poetics” at the upcoming Department of Music conference: “Communities of Song: Performing Sung Poetry in the Modern World. The keynote address will be at 3:45 p.m. on April 2 in the Person Recital Hall followed by a reception at Top of the Hill.
Organizers of the conference hope to convene a conversation about sung poetry not only for its poetics but for its association with social memory. By singing poems, musicians and other social agents transform poetry into cultural performances. Repertories of sung poetry frequently play a critical role at moments of community formation, be these collective national, ethnic, postcolonial, or otherwise. In practice, sung poetry is instrumental for social action as well as for marking and sculpting geography.
Southern Music students with Mildred Council, owner of Mama Dip’s Kitchen in Chapel Hill.
Students in Dr. William Ferris’s “Southern Music” (History 571/Folklore 571) had the pleasure of sharing a class on “Southern Music and Food” over breakfast at Mama Dip’s Kitchen on the morning of November 18th. The class opened with a brief lecture by Dr. Ferris that included selections by Bob Wills (“That’s What I Like About the South”), Bo Carter (“Banana in Your Fruit Basket”), Tony Joe White (“Polk Salad Annie”), Big Bill Lister (“RC Cola and Moon Pie”), and Goodie Mob (“Soul Food”). The highlight of the class was a presentation by Mildred “Mama Dip” Council who explained how she created the restaurant and the ties of food and music she remembered growing up in rural North Carolina. The meal concluded with a performance of “Amazing Grace” by Mary D. Williams, a student in the class.
Music Maker Relief Foundation, under executive director (and UNC Folklore grad) Tim Duffy, works “to preserve the musical traditions of the South by directly supporting the musicians who make it, ensuring their voices will not be silenced by poverty and time.”
The Folklore Program would like to congratulate the entire Music Maker team on their 20th anniversary and their continuing successes in supporting not only southern music, but also the people who make it.
Join Dr. Michael A. Mason as he discusses the past, current, and future work of the Center for Folklife and Cultural Heritage. Rooted in principles of cultural democracy and social equality, the Smithsonian Center for Folklife and Cultural Heritage supports the understanding and sustainability of cultural heritage and diversity in communities across the United States and around the world, and produces the annual Smithsonian Folklife Festival and Smithsonian Folkways Recordings. A group of Maasai in an impromptu song and dance session.
Event held in Donovan Lounge, 2nd floor Greenlaw, Oct. 13, 2014 at 5:30 p.m.
Kinney, a rising second year graduate student in the Folklore MA program, won a place in the first SFA film bootcamp and collaborated with another attendee to produce a short film profiling three young men who are creating a distinctive Mississippi style of barbecue.
The French translation of UNC historian William Ferris’ book, Give My Poor Heart Ease: Voices of the Mississippi Blues, has won a prestigious prize from Académie Charles Cros in the world music book category.
Ferris is the Joel R. Williamson Eminent Professor of History and senior associate director of the Center for the Study of the American South in UNC’s College of Arts and Sciences. He is the former chairman of the National Endowment for the Humanities.
Les Voix du Mississippi (Editions Papa Guédé), the French translation, received the Coup de Coeur de l’Académie Charles Cros Musiques du Monde for Ferris and publisher Benjamin Daussy. The Charles Cros Academy is an organization that acts as an intermediary between government cultural policy makers and professionals in the music and recording industries. It was named for Charles Cros, one of the pioneers of sound recording.
The Academy is probably best known for the grand prize it has given out every year since 1948, the Grand Prix du Disque, the premier French award for musical recordings.
Give My Poor Heart Easewas originally published by UNC Press in 2009. Throughout the 1960s and ‘70s, folklorist Ferris toured his home state of Mississippi, documenting the voices of African Americans as they spoke about and performed the blues. B.B. King, Willie Dixon and other artists’ stories are told through personal reflections and Ferris’ photographs, audio and video via a companion DVD and CD. In an autobiographical introduction, Ferris reflects on how he fell in love with the vibrant musical culture that was all around him, but was considered off limits to a white Mississippian during a troubled era.
Haiti and the American South have a long, although under-emphasized, history of connection. The link with our state has become stronger in recent years as more than three thousand Haitian immigrants have settled in Mount Olive, NC. Vincent Joos (Folklore MA 2011, currently a PhD candidate in Anthropology at UNC) is engaged in research with this community, which includes two remarkable traditional artists, Michel Obin and Faustin Dumé. Vincent has worked with the Center for the Study of the American South to mount an exhibit of the artists’ work. “From Haiti to Mt. Olive” is on view at the Center this Spring.
Congratulations to Folklore alumna Ali Colleen Neff, who just published: Voicing the Domestic: Senegalese Sufi Women’s Musical Practice, Feminine Interior Worlds, and Possibilities for Ethnographic Listening, in Collaborative Anthropologies, Volume 6, 2013, pp. 73-102.
This link will take you to an excerpt. Unfortunately, UNC Libraries currently does not have a subscription to Collaborative Anthropologies, but you should be able to get the full article through interlibrary loan.